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Hadassa Kelly Santos Melo
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Discursos da Construção do Outro: os povos indígenas nos Sermões do Padre Antônio Vieira (1652-1662)
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Date: Aug 30, 2013
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Time: 17:30
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The greatest legacy left by Father Antonio Vieira is certainly the vastness of his work. His sermons represent, to historians, a great possibility in terms of interpretation of the past and its contexts, and the processes involving encounters between Natives and Jesuits, in Portuguese America. Mutual resistance processes, which also include the production of representations in order to designate Natives, to provide them with meaning and interpret them, so that dialogues could take place. Throughout this paper, these aspects will be analyzed through representations Father Antonio Vieira set to natives during his missionary services in Maranhao and Grao-Para State (1652-1662). For this purpose, five sermons were chosen amongst those produced by the Father, Fifth Sunday of Lent (1654), Sexagesima (1655), First Octave of Easter (1656), Holy Spirit (1657) and Epiphany(1662). Such preaching expresses how the images built around natives were modified through time, not by the ongoing reflexions around their nature nor the procedures involving their evangelization, which obeyed demands that rose from conflicts with colonists, public authorities and other religious orders as in reference to native workforce usage and responding, as well, to instrumentalized resistance procedures from natives towards the Europeans ethos of living.
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JULIO CESAR ALVES DA SILVA
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PARA A MELHORIA DA RAÇA E A CIVILIZAÇÃO DO POVO PARAIBANO:
UMA HISTÓRIA DA EUGENIA NA PARAÍBA (1914-1921)
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Date: Aug 30, 2013
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Time: 14:30
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Ce travail lié à la ligne de recherche Histoire Régional du Programme de Master en Histoire de l Université Fédéral de la Paraíba, ciblé en Histoire et Culture Historique a comme objectif d analyser les discours eugéniques et hygiéniques au Brésil, particulièrement à la Paraíba à travers les articles disposés aux journaux A União, A Imprensa et la revue Era Nova. Depuis la seconde moitié du XIX siècle l Eugénie a gagnée des interprétations suggestives dans les pays où elle a été accueillie. Au Brésil, dans les premières décennies du XX siècle entre les évaluations de la sélectivité raciale et les normes hygiéniques, quelques secteurs comme celui de la presse et quelques institutions créés pour la divulguer ont lance main de leurs positionnements et idéalisations. À partir de ces alternances, les périodiques A União, A Imprensa et la revue Era Nova ont reproduit un type de discours que ce sont approximés, mais aussi ce sont éloignés des préceptes de l eugénisme. Le découpage choisi a commencé en 1914, l année où laquelle nous avons trouvé les premiers reportages sur l Eugénie et l hygiénisme à la Paraíba, et il a terminé en 1921, avec la publication d autres articles sur les thèmes. L analyse sur les discours eugéniques et hygiénistes à la Paraíba a été un exercice continu de diagnostic et observation, car entre les relations intellectuelles disposées dans les articles des périodiques et les idées annoncées sur l Eugénie, nous avons constaté que les discours mentionnés outre figurer une sorte d analyse scientifique de son époque ils se configurent aussi comme étant une manifestation politique.
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JOSE RODRIGO DE ARAUJO SILVA
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Colônia de Férias de Olinda: Presos Políticos e Aparelhos de Repressão em Pernambuco (1964)
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Date: Aug 30, 2013
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Time: 14:00
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This work aims to study the structure of political repression in the state of Pernambuco in 1964. In order to do this, we take as a documental case study, a detention unit with the specific purpose of housing political prisoners, called "Colônia de Férias de Olinda" (Olinda Summer Camp). We seek to understand - using the methods of documentary research and oral history how was the articulation of this unit with the other organs of that state security in the complex network of information in that military government established in the country. We also propose to study administrative inner workings of the Summer Camp, to reveal the strategies and mechanisms used by the agents of repression at the time of arrests, to describe the profile of individuals who passed through the unit, and to find evidences of traumatic memory in the testimony of those who directly or indirectly have had contact with the Olinda Summer Camp.
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JEAN PATRÍCIO DA SILVA
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CONSTRUÇÃO DE UMA NOVA ORDEM: ANÁLISE DA INTERVENTORIA DE
RUY CARNEIRO NO ESTADO DA PARAÍBA (1940-1945)
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Date: Aug 30, 2013
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Time: 09:30
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This study aims to identify the main actions of the period of the New State in Paraíba, in particular, the period of the Ruy Carneiro s Government, between 1940-1945. Thus, it will seek to analyze the process of centralization of the state and the bureaucratic reform - administrative, from the perspective of power relations established after the coup movement entitled "New State" of 1937. This study contributes to the local historiography citing the relations between this reform in the state apparatus in accordance with the programmatic line of action of the Government. The few studies that underlie the period 1940-1945 do not address in a systematic way the Government of Ruy Carneiro. Overall, what is known about this period, in the state of Paraíba, the news came only in the newspapers of the time and documents, reports, decrees or small texts with specific themes. As a contribution to the local historiography, this research seeks to delve into research on local governments Vargas period, specifically the Ruy Carneiro s Government.
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ANA LUIZA DE VASCONCELOS MARQUES
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Canções e cores da nação brasileira: Uma análise historiográfica das obras de Rodrigues de Carvalho (1903 - 1937)
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Date: Aug 30, 2013
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Time: 09:00
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Based on three volumes of the Almanach Illustrado do Brasil-Portugal, which totals 610 pages permeated by illustrations, chronicles and a variety of texts destined to the PortugueseBrazilian intellectuals who had the intention to educate and civilize the readers, above all, observing the civic-educational elements present in the almanacs. Produced and edited in Lisbon, these almanacs circulated throughout Brazil, and although a considerable part of the collaborators were Portuguese descent, there was a marked presence of Brazilians in the main sections, as well as correspondents and collaborators spread throughout certain regions of the country. Under the bias of the interdisciplinary approach between cultural history and the history of education, through a qualitative research with a temporal cut from 1899 to 1903, it was emphasized the importance of understanding the civilizing element that substantiated the Portuguese-Brazilian historical relations in relation to sociability networks formation (SIRINELLI, 1996; GOMES, 1993) and the actuation of these intellectuals as cultural mediators (GOMES; HANSEN, 2006), learning with the knowledge of great researchers such as Justino Magalhães (2003, 2010), André Botelho (2002) and Norbert Elias (1993). Among the resources which were used, in addition to the consultation of periodicals published between the end of the nineteenth century and the beginning of the twentieth, BrazilPortugal: revista quinzennal illustrada is also analyzed, highlighting the numbers published in the year 1900, on commemorative matters produced to the IV Centenary of Discovery of Brazil. About the collective profile of Almanach's collaborators, the data point to a group mostly composed of male writers born in the 1850s, concentrating on the age group between 41 and 60 years old, of Portuguese nationality, in which all collaborated in at least one yournal beyond the almanacs and 94% had published books.As a criterion for selecting and analyzing the sources, the trajectory of the Portuguese and Brazilian intellectuals who linked themselves to the magisterium related to their professional activities, as a guideline for the materiality of the almanacs, regarding the categories of education, civilization and produced in the three annuals. It was considered that these categories are intertwined in a PortugueseBrazilian culture with an elitist and Eurocentric veneer, marked by the defense of national education, which had as its background the civilizing discourse, oriented towards progress and modernization. Education assumes the central place as an adequate instrument to attend to the moral and civic values of the society, along with the liberal, conservative and positivist criteria that cultivated and disseminated normative rules for the society in question. Thus, it is concluded that the Portuguese and Brazilian intellectuals in the figure of cultural mediators integrated in networks of sociability constructed in multiple spatial-temporal dimensions were involved in the pedagogical and civilizing mission to instruct the public to which they were destined, besides the limits of almanacs. These almanacs bring to light civic-educational elements that, through the propagation of a liberal culture, make possible the multiplication of political and cultural exchanges between Portugal and Brazil, having the language and the common language as an important element of connection and approximation between the two nations.
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MAYARA MILLENA MOREIRA FORMIGA
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NAS VEREDAS DO SERTÃO COLONIAL: O PROCESSO DE CONQUISTA
E A FORMAÇÃO DE ELITES LOCAIS NO SERTÃO DE PIRANHAS E
PIANCÓ (CAPITANIA DA PARAHYBA DO NORTE, c. 1690 - c. 1772)
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Date: Aug 30, 2013
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Time: 08:00
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This study has as main objective of analyze the conquest and the occupation of hinterland of the Captaincy of Paraiba North as well as the formation of the first local elites that were forming in the region between the years 1690-1772. During these years the hinterland of the North Capitanias of the State of Brazil went through a process of internalization of their territories, especially after the expulsion of the Holandeses in 1654. Like this, we undertook an investigation about the process that precedes the establishment of the settlers in the hinterland of Piranhas and Piancó: the war against indigenous peoples and the distribution of land allotments. This tense process of disputes could not have been successful without the participation of conquerors who, at the expense of their strengths and resources, and by strength of sword and of faith, dilated else the Portuguese dominions in America. Finally we seek to understand how the first conquerors of the region analyzed here, especially the family group of Oliveira Ledo, became the first and principal nucleus of the local elite, through access to real mercês granted by the monarch through the services provided under the achievement.
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ANDRE CARNEIRO DE ALBUQUERQUE
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CAPITÃES DO FIM DO MUNDO: As Tropas Volantes pernambucanas, formação e identidades
(1922 - 1938)
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Date: Aug 29, 2013
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Time: 14:00
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João Aurélio Travassos Pires Junior
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MESTIÇAGENS E COLONIZAÇÃO: VISÕES HISTORIOGRÁFICAS SOBRE A AMÉRICA PORTUGUESA
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Date: Aug 29, 2013
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Time: 14:00
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The concept of miscegenation has changed throughout the years. When it comes to Colonial Brazil, the study of this notion is key for the understanding of its historiography and also for the establishment of the social sciences in the country, being Gilberto Freyre the first and most reliable author to have developed a historiography of miscegenation in Brazil. The present dissertation study aims at analyzing different takes on the the concept of miscegenation, that are found in representative historiographical works that are important for the development of the theme and for the understanding of the concept as well. This study intends to observe the transformations that the concept of miscegenation has suffered, using the reading of five authors that are relevant to the comprehension of the topic: Gilberto Freyre, Carl Degler, Charles Boxer, Serge Gruzinski and Larissa Viana. The referred authors are representative of different historiographical cultures besides they represent different and divergent past points of view about miscegenation. Therefore, there is a trail that begins with the analysis of the concept by Freyre and the balance of antagonism that follows, identifies foreign readings that endorsed it as well as disagreed with it. Next, it is proposed a reading about the inovation of the concept found in the works of french historian Serge Gruzinski and finally it is noted, by reading the works of historian Larissa Viana, an unusual point of view about miscegenation, which is connected to the notion of identity, a current discussion that represents the themes of the most recente cultural studies.
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João Aurélio Travassos Pires Junior
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MESTIÇAGENS E COLONIZAÇÃO: VISÕES HISTORIOGRÁFICAS SOBRE A AMÉRICA PORTUGUESA
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Date: Aug 29, 2013
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Time: 14:00
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Show Summary
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The concept of miscegenation has changed throughout the years. When it comes to Colonial Brazil, the study of this notion is key for the understanding of its historiography and also for the establishment of the social sciences in the country, being Gilberto Freyre the first and most reliable author to have developed a historiography of miscegenation in Brazil. The present dissertation study aims at analyzing different takes on the the concept of miscegenation, that are found in representative historiographical works that are important for the development of the theme and for the understanding of the concept as well. This study intends to observe the transformations that the concept of miscegenation has suffered, using the reading of five authors that are relevant to the comprehension of the topic: Gilberto Freyre, Carl Degler, Charles Boxer, Serge Gruzinski and Larissa Viana. The referred authors are representative of different historiographical cultures besides they represent different and divergent past points of view about miscegenation. Therefore, there is a trail that begins with the analysis of the concept by Freyre and the balance of antagonism that follows, identifies foreign readings that endorsed it as well as disagreed with it. Next, it is proposed a reading about the inovation of the concept found in the works of french historian Serge Gruzinski and finally it is noted, by reading the works of historian Larissa Viana, an unusual point of view about miscegenation, which is connected to the notion of identity, a current discussion that represents the themes of the most recente cultural studies.
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BRUNO CEZAR SANTOS DA SILVA
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"Entre Defesa e Ordem: os corpos militares da Paraíba na trama da subordinação à Capitania de Pernambuco (1755-1799)"
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Date: Aug 29, 2013
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Time: 13:30
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This master's research, linked to the Regional History and concentrated in History and Historical culture, intends to analyse the composition, operation and distribution of military bodies settled in the captaincy of Paraíba in the period from 1755 to 1799, at which time this was subordinated, military and administratively, to the captaincy of Pernambuco, giving a particular focus to the government of Jerônimo José de Melo e Castro (1764-1797) and to the military reforms made by Sebastião José de Carvalho e Melo, Count of Oeiras, future Marquess of Pombal and the present main secretary of the king José I (1755/6-1777). Moreover, we aim to peer the involvement of members of these bodies, notably those from the top of military corps, in the plots of power that engendered this colonial society and, at the same time, evaluate how the loss of political and administrative autonomy interfered in the maintenance of the troops and governing capability of captains mores of the captaincy of Paraíba. For this purpose, we adopted as a research referencial, as well as the concerning bibliography, with emphasis on the perspective of "New Political History" and the resulting notion of "Political Culture", the documentation of the Overseas Historical Archive.
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GIORDAN SILVA DE OLIVEIRA
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Caminhos da Reforma Agrária: O Processo Histórico da Reforma Agrária no Alto Sertão Paraibano, da Luta Pela Terra à Luta na Terra (1985-2012)
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Date: Aug 29, 2013
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Time: 09:00
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This study investigated the historical process of Agrarian Reform in High Hinterland of Paraíba in the period 1985-2012, showing the process of occupation of the backcountry, highlighting the importance of cotton activity not only for the economy, but also for maintenance of working relationships not typically capitalist, serving as a damper for conflicts between landowners and peasants in this region. As it is located in a region full semiarid Paraiba this research has its area of concentration of study in Brazil Regional History. The work shows the first phase of the fights in public areas and the process of formation of the Pastoral Land Commission (CPT) in High Hinterland of Paraíba. Another aspect studied is the second phase of the struggles that took place in private areas and the creation and operation of the Central Associations of Paraiba backwoods settlements of Upper (CAAASP), identifying the major changes that have occurred in the lives of peasants as well as the impacts of these changes in the region. The story of this journey was systematized, bringing an overview of the processes, facts and achievements of the people in the struggle for land and the land in this region in search of better living conditions . To rescue the history of the struggle for land in High Hinterland of Paraíba this work becomes an invitation to the academic community for further research, both on the topic of Agrarian Question and the Field of Social Movements, how about a multitude of issues relevant to life rural communities in the region.
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QUEILA GUEDES FELICIANO BARROS
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"AS MARGENS DA ILEGALIDADE":
RELAÇÕES MERCANTIS E SOCIAIS ENTRE SÃO SALVADOR BAHIA
E BUENOS AIRES (c. 1580 c. 1640)
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Date: Aug 28, 2013
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Time: 15:00
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This study has as its main object of analysis and social market relations established between the port of Buenos Aires and Salvador Bahia, in the period of the Iberian Union. We undertook an analysis of the cyclical action of Iberian colonization in Brazil, comprising therefore a war for sugar and by trade with the River Plate as a major factor transformation of commercial and administrative reality of colonial Brazil. Having been the European manufacturing and enslaved blacks responsible for the largest share of exports from the port of Salvador Bahia, to the port of Buenos Aires, we investigate under what arrangements settled trade of such products in the Platine region, since, by law, were part of the forbidden and illegal. We ended up detecting that local practices in Buenos Aires, to "legalize the illegal" became a commercial culture itself, which nurtured colony in Brazil equal match, and the fruits of the earth rioplatense: wheat flour, suet and meat drought, largely consumed in Brazil and colony, through the port of San Salvador Bahia, fueled not only several ships that they made the trade in the Atlantic Ocean, as well as European possessions, linking well, Salvador Bahia and the port of Buenos Aires to circuits and connections Inter colonial mercantile, woven in the first half of the seventeenth century.
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RÔMULO MEDEIROS PEREIRA
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HERBERT DANIEL E SUAS ESCRITURAS DE MEMÓRIA: exercícios autobiográficos e os traços estéticos de uma existência (1967-1984)
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Date: Aug 28, 2013
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Time: 14:00
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La presente dissertation vise à analyser les expériences de Herbert Daniel à partir des travaux Passagens para o próximo sonho e Meu corpo daria um romance (1946- 1992), la corrélation avec les différents modes de connaissance, les normativités annonçant façons de subjectivité dans les années 1964-1984. Son entrée dans les organisations gauchistes, l'opposition contre la dictature militaire de 1964, en accord avec les doctrines idéologiques des organisations gauchistes qui ont abouti à un deserotizado du corps, un sujet subjugué. L'exil et l'amitié, il a créé avec Cláudio Mesquita, à la fois très important de comprendre le processus de l'excrétion des relations sociales rigides et les pauvres et nouvelle façon de penser sur la politique et lui-même.
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SIMONE BEZERRIL GUEDES CARDOZO
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"USOS DO PASSADO :Leitura da História na perspectiva jornalística de Laurentino Gomes no livro '1808'"
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Date: Aug 26, 2013
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Time: 10:00
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Show Summary
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Through the growing number of works of historical content written by journalists, accompanied by a significant rate of sales in the Brazilian publishing market, this paper proposes a case study having as object the book 1808 - As a mad queen, a prince and a nervous corrupt court deceived Napoleon and changed the history of Portugal and Brazil, the journalist Laurentino Gomes. As in the production of this type parameter are historiographical works and procedures aimed to understand how an author who has no historical training develops your "mechanics" of production, ie, a method of writing, the "handle" works of historians and extract these elements to the disclosure of their interpretations and construction of his narrative about the past, whose intention goes through the configuration of a palatable and attractive text about what happened. It is perceived that such production provides a fine line between history and journalism, to use elements from both camps. In this dissertation, raised the hypothesis that the work of Laurentino Gomes can be understood as a product of historical culture, when considering that revisiting the past is not an exclusivity of the historian. Although books like this said journalist contributing to the popularization of historical knowledge, not always depict plausibly, ie without anachronisms. Appears that 1808, to be "made-up" as a work of history, although its author emphasizes that this is journalism, brings the main epistemological implication of the fact to be taken by society as historiographical reference, as if the "make history "in the sense of institutionalized and metodizado knowledge was not restricted to the production of professional métier. Therefore, the practice of writing about the past can t historiographical legitimacy, but it is legitimized by the market-intakes and the social practices of reading, inserted in the cultural industry "past as a commodity."
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SIMONE BEZERRIL GUEDES CARDOZO
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"USOS DO PASSADO :Leitura da História na perspectiva jornalística de Laurentino Gomes no livro '1808'"
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Date: Aug 26, 2013
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Time: 10:00
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Show Summary
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Through the growing number of works of historical content written by journalists, accompanied by a significant rate of sales in the Brazilian publishing market, this paper proposes a case study having as object the book 1808 - As a mad queen, a prince and a nervous corrupt court deceived Napoleon and changed the history of Portugal and Brazil, the journalist Laurentino Gomes. As in the production of this type parameter are historiographical works and procedures aimed to understand how an author who has no historical training develops your "mechanics" of production, ie, a method of writing, the "handle" works of historians and extract these elements to the disclosure of their interpretations and construction of his narrative about the past, whose intention goes through the configuration of a palatable and attractive text about what happened. It is perceived that such production provides a fine line between history and journalism, to use elements from both camps. In this dissertation, raised the hypothesis that the work of Laurentino Gomes can be understood as a product of historical culture, when considering that revisiting the past is not an exclusivity of the historian. Although books like this said journalist contributing to the popularization of historical knowledge, not always depict plausibly, ie without anachronisms. Appears that 1808, to be "made-up" as a work of history, although its author emphasizes that this is journalism, brings the main epistemological implication of the fact to be taken by society as historiographical reference, as if the "make history "in the sense of institutionalized and metodizado knowledge was not restricted to the production of professional métier. Therefore, the practice of writing about the past can t historiographical legitimacy, but it is legitimized by the market-intakes and the social practices of reading, inserted in the cultural industry "past as a commodity."
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SIMONE BEZERRIL GUEDES CARDOZO
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"USOS DO PASSADO :Leitura da História na perspectiva jornalística de Laurentino Gomes no livro '1808'"
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Date: Aug 26, 2013
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Time: 10:00
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Show Summary
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Through the growing number of works of historical content written by journalists, accompanied by a significant rate of sales in the Brazilian publishing market, this paper proposes a case study having as object the book 1808 - As a mad queen, a prince and a nervous corrupt court deceived Napoleon and changed the history of Portugal and Brazil, the journalist Laurentino Gomes. As in the production of this type parameter are historiographical works and procedures aimed to understand how an author who has no historical training develops your "mechanics" of production, ie, a method of writing, the "handle" works of historians and extract these elements to the disclosure of their interpretations and construction of his narrative about the past, whose intention goes through the configuration of a palatable and attractive text about what happened. It is perceived that such production provides a fine line between history and journalism, to use elements from both camps. In this dissertation, raised the hypothesis that the work of Laurentino Gomes can be understood as a product of historical culture, when considering that revisiting the past is not an exclusivity of the historian. Although books like this said journalist contributing to the popularization of historical knowledge, not always depict plausibly, ie without anachronisms. Appears that 1808, to be "made-up" as a work of history, although its author emphasizes that this is journalism, brings the main epistemological implication of the fact to be taken by society as historiographical reference, as if the "make history "in the sense of institutionalized and metodizado knowledge was not restricted to the production of professional métier. Therefore, the practice of writing about the past can t historiographical legitimacy, but it is legitimized by the market-intakes and the social practices of reading, inserted in the cultural industry "past as a commodity."
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SIMONE BEZERRIL GUEDES CARDOZO
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"USOS DO PASSADO :Leitura da História na perspectiva jornalística de Laurentino Gomes no livro '1808'"
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Date: Aug 26, 2013
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Time: 10:00
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View Dissertation/Thesis
Show Summary
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Through the growing number of works of historical content written by journalists, accompanied by a significant rate of sales in the Brazilian publishing market, this paper proposes a case study having as object the book 1808 - As a mad queen, a prince and a nervous corrupt court deceived Napoleon and changed the history of Portugal and Brazil, the journalist Laurentino Gomes. As in the production of this type parameter are historiographical works and procedures aimed to understand how an author who has no historical training develops your "mechanics" of production, ie, a method of writing, the "handle" works of historians and extract these elements to the disclosure of their interpretations and construction of his narrative about the past, whose intention goes through the configuration of a palatable and attractive text about what happened. It is perceived that such production provides a fine line between history and journalism, to use elements from both camps. In this dissertation, raised the hypothesis that the work of Laurentino Gomes can be understood as a product of historical culture, when considering that revisiting the past is not an exclusivity of the historian. Although books like this said journalist contributing to the popularization of historical knowledge, not always depict plausibly, ie without anachronisms. Appears that 1808, to be "made-up" as a work of history, although its author emphasizes that this is journalism, brings the main epistemological implication of the fact to be taken by society as historiographical reference, as if the "make history "in the sense of institutionalized and metodizado knowledge was not restricted to the production of professional métier. Therefore, the practice of writing about the past can t historiographical legitimacy, but it is legitimized by the market-intakes and the social practices of reading, inserted in the cultural industry "past as a commodity."
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LEANDRO MACIEL SILVA
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TRISTÃO DE ALENCAR ARARIPE E A HISTÓRIA DA PROVÍNCIA DO CEARÁ: Contribuição à História Nacional
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Date: Aug 8, 2013
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Time: 09:00
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This work - belonging to the line of research of Teaching of History and Historical Knowledge in the Post Graduation Program in History of the Federal University of Paraíba, within the área of Historic Culture has as objetive perceive the social place of Tristão de Alencar Araripe both from the standpoint of family and political, as historiography. Tristão was a member of one of the main families of Ceará, which is still remembered for the participation of some of its members in the political events in 1817 and 1824. Under this influence, Tristão opened the writing of history of Ceará. His book, History of the Province of Ceará from earliest times to 1850, published in 1867, is the first methodological effort to write the history of Ceará - Colony to Empire. Tristão wrote his story at the very moment that the Brazilian Historical and Geographical Institute (IHGB) proposed the writing of national history of the Empire of Brazil. One of the strategies to perceive the social place of Tristão is to analyze their relationship with the Institute. The influence of IHGB gave different contours in their work. The defense here is that Tristão wanted to contribute to the writing of national history of the Empire of Brazil. The pretense of Tristão was a national story from the stories local, provincial.
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RODRIGO HENRIQUE ARAÚJO DA COSTA
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LUZ SOBRE O FUNDO ESCURO:
CARAVAGGIO, SÃO MATEUS E O ANJO E AMOR VITORIOSO
(1601-1602)
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Date: Aug 6, 2013
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Time: 14:00
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Show Summary
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(link: https://repositorio.ufpb.br/jspui/handle/tede/5999)Between 1601 and 1602, the Italian painter Michelangelo Merisi, known as Caravaggio, received one of his most important orders. It was the last job to finish the series dedicated to the apostle Matthew in Contarelli Chapel in Rome, a painting called St. Matthew and the Angel. By decision of the Church, Caravaggio's version lacked decorum and had to be replaced. With a new contract, Caravaggio painted a second version of St. Matthew and the Angel, which was immediately put in its destination place. Following this event, a Marquis from the Roman nobility named Vincenzo Giustiniani, who had bought the unwelcomed version of St. Matthew and the Angel, ordered Caravaggio a painting that excelled all of the paintings in the world, Love Triumphant (Amor Vincit Omnia). The reason for the change in perspective between the three paintings, the representation of subjects so diverse among themselves and the abrupt transformation of approach, aesthetic and configuration, formed the scope of this work. These three paintings by the Italian artist Michelangelo Merisi da Caravaggio (1571-1610) revealed in this dissertation a dissident and provocative artist between the sixteenth and seventeenth centuries, in a Rome recognized in historical literature for its splits and political-religious conspiracies, deeply marked by the Religious Reforms of the period. In this conjuncture, the paintings of Caravaggio made it possible to study not only the Baroque artist, but also the social relations involved, the influences of the Baroque, the idiosyncrasies of Caravaggio, the Artistic Culture, expanding what we understand as History of Paintings and covering concepts pertinent to objectives and methodology adopted, as evidence-based analysis (Clue Paradigm), Memory, Imaginary and the allegorical and pictorial representations. Notably, in the production of historical consciousness of work, we permeate our writing with printed sources from the seventeenth century and the fundamental and specific works on Caravaggio and Art History. Through the performance of the object of study we came to conclusions on Modern History, Tridentine Rome, Catholic cosmogony, the body, religious beliefs, paganism, sacred and profane, signs and clues that reveal the clash between the artist's vision and the vision of Church and society.
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RODRIGO HENRIQUE ARAÚJO DA COSTA
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LUZ SOBRE O FUNDO ESCURO:
CARAVAGGIO, SÃO MATEUS E O ANJO E AMOR VITORIOSO
(1601-1602)
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Date: Aug 6, 2013
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Time: 14:00
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(link: https://repositorio.ufpb.br/jspui/handle/tede/5999)Between 1601 and 1602, the Italian painter Michelangelo Merisi, known as Caravaggio, received one of his most important orders. It was the last job to finish the series dedicated to the apostle Matthew in Contarelli Chapel in Rome, a painting called St. Matthew and the Angel. By decision of the Church, Caravaggio's version lacked decorum and had to be replaced. With a new contract, Caravaggio painted a second version of St. Matthew and the Angel, which was immediately put in its destination place. Following this event, a Marquis from the Roman nobility named Vincenzo Giustiniani, who had bought the unwelcomed version of St. Matthew and the Angel, ordered Caravaggio a painting that excelled all of the paintings in the world, Love Triumphant (Amor Vincit Omnia). The reason for the change in perspective between the three paintings, the representation of subjects so diverse among themselves and the abrupt transformation of approach, aesthetic and configuration, formed the scope of this work. These three paintings by the Italian artist Michelangelo Merisi da Caravaggio (1571-1610) revealed in this dissertation a dissident and provocative artist between the sixteenth and seventeenth centuries, in a Rome recognized in historical literature for its splits and political-religious conspiracies, deeply marked by the Religious Reforms of the period. In this conjuncture, the paintings of Caravaggio made it possible to study not only the Baroque artist, but also the social relations involved, the influences of the Baroque, the idiosyncrasies of Caravaggio, the Artistic Culture, expanding what we understand as History of Paintings and covering concepts pertinent to objectives and methodology adopted, as evidence-based analysis (Clue Paradigm), Memory, Imaginary and the allegorical and pictorial representations. Notably, in the production of historical consciousness of work, we permeate our writing with printed sources from the seventeenth century and the fundamental and specific works on Caravaggio and Art History. Through the performance of the object of study we came to conclusions on Modern History, Tridentine Rome, Catholic cosmogony, the body, religious beliefs, paganism, sacred and profane, signs and clues that reveal the clash between the artist's vision and the vision of Church and society.
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JONATAS XAVIER DE SOUZA
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"QUE BOM TE VER VIVA": MEMÓRIAS E HISTÓRIAS DE MULHERES
QUE SOBREVIVERAM À VIOLÊNCIA DA DITADURA
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Date: Jul 19, 2013
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Time: 09:00
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This work is appealing for the universe of memories and feelings of women, political prisoners during the military dictatorship in Brazil (1964 - 1985), who survived the traumatic experience of lucid torture. Having as a main source movie Que Bom Te Ver Viva, full length documentar produced by Lúcia Murat from 1988 - 1989. We assume that the art of Lucia Murat in Que Bom Te Ver Viva meets, while self consciousness and memory that is human history, the function of raising individual particularities, writing it self, the generically human. In this perspective, grasp the film as an important means of production, dissemination and reception of individual and collective experiences of the past and presente, and thereby as a material linked to identity and social dimensions that are justified from their membership of a historical culture formed in the time of the events, the circumstances of film production. Indeed, analyzing the images of orality and Que Bom Te Ver Viva, means, Immediately talk to a social representation that contributes to a historical and cultural participation of women in the armed struggle against the dictatorship, the discourser of the Brazilian feminist movement in the 1980s, such as: violence against women, women's sexual freedom, gender relations and power involving sexes.
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ERICA LINS RAMOS
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Da conivência ao despertar militante: o movimento universitário e a ditdura militar na cidade de Campina Grande-PB (1964-1968)
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Date: Jul 4, 2013
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Time: 14:00
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This research addresses the role of the university movement in the city of Campina Grande - PB, during the first phase of the military dictatorship (1964/1968). The theme relates to the Research Line Regional History Program Undergraduate History UFPB in concentration area History and Historical Culture. The study addresses the influences campinenses appropriated by militants, who led them in times of repression, to confront the government and the ideas advocated by them. As the Government did not give up his attempt to inhibit the student demonstrations, which were strengthened with the support of popular students campinenses also embarked on this fight. Thus, we analyze the university of Campina Grande mediate-1968 until the publication of the Institutional Act Number Five, highlighting the strength of correlations between the military police and university campinenses. As a theoretical basis, we use the concept of political culture, political history and the new concepts of the new cultural history, as representation, tactics, among others. The sources used were extracted from research papers, oral reports, official documents and works of historiography and Brazilian Paraiba.
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THIAGO OLIVEIRA DE SOUZA
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IMPRENSA E INSTRUÇÃO NA PARAHYBA DO NORTE: CULTURA
EDUCACIONAL E CULTURAS POLÍTICAS NOS ANOS DE 1880
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Date: Jun 10, 2013
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Time: 10:00
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In this dissertation we discussed the form that the education/instruction was considered in the
press of Paraíba in the nineteenth century, point out the aspects of the educational and
political cultures in the Province of Parahyba do Norte. The documental corpus used as
support for this work was the editorials of the newspapers of Paraiba, available in the
Historical and Geographicof Paraiba Institute and in Digital Hemeroteca of the National
Library. Also used, in a smaller proportion, were the Province Presidents Reports in the
decade of 1880. The range proposed for the elaboration of the present work is the years
started from 1881 until 1889. Due the characteristics of our sources this was the moment in
that was possible to delimit an educational debate among conservator and liberal parties. Our
goal was to understand the educational culture spread through the texts of the political agents
and journalists of Paraíba. We observed the speeches of conservatives and liberates, pointing
out the divergences and similarities between them. Taking into account the accessibility to the
impressed material of the epoch, we can say that the press of the nineteenth century had a
considerable broadcast, being responsible for the popularization of ideas and speeches,
besides, probably, it was one of the only channel of communication of this period. In the
pages of the nineteenth century press was presented the everyday of the society, in special the
themes related to the politics and the disputes of the parties. Among the considered themes,
the instruction was the protagonist in several moments, being a frequent subject and source of
intense debates. This work is related to the Program of Masters degree in History of the
Federal University of Paraíba, in the branch of History Teaching and Historical Known.
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IRIS MARIANO TAVARES
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ENTRE A SACRAMENTALIZAÇÃO CATÓLICA E OUTROS ARRANJOS PARENTAIS: A VIDA FAMILIAR DOS ESCRAVIZADOS DO CRATO-CE (1871-1884)
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Date: May 10, 2013
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Time: 14:00
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This dissertation is linked to the online research Regional History, the Post-Graduate in History of the Federal University of Paraíba, with a major in History and Historical Culture. Is engaged in the family life of enslaved the city of Crato, Ceará south. The time frame chosen starts in 1871, the year of enactment of Law 2040 of September 28 - also known as the Rio Branco Law or Law of the Free Womb - and ends in 1884, the year it was declared abolished slavery in the province of Ceará. The spread of unions sacramentadas the religious norm and consensus among the enslaved population, the stability of family arrangements that were able to provide, and the social relations established in the act of baptism of their children, are also observed. Sources that support the research are mainly, inventories - with lists of registration of enslaved and autos sharing, attached to them -, and seats baptism of naive cratenses. The dissertation is theoretical and methodological social history of slavery, developed mainly from the 1980s and whose assumptions highlight the historical subjects - the enslaved.
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LIDIANA JUSTO DA COSTA
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"CIDADÃOS DO IMPÉRIO, ALERTA! A GUARDA NACIONAL NA PARAÍBA OITOCENTISTA (1831-1850)"
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Date: Mar 27, 2013
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Time: 14:00
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This study is linked to the online research Regional History, the Graduate Program in History Federal University of Paraíba, with a major in History and Historical Culture, and aims to examine the creation and operation of the National Guard in the province of Paraiba (1831-1850). The creation of the National Guard, on August 18, 1831, was one among the various measures undertaken by the government regent, to ensure the unity of the national Brazilian state. This institution should be composed of those who were considered citizens of the Empire of Brazil, so they were prescribed in the Constitution of 1824. Therefore, besides investigating the creation of this institution in the province of Paraiba, we present the procedures involving its organization and functioning, as well as legal profiles / Ethnic some characters that composed their ranks. We will also provide a brief discussion of citizenship in the nineteenth century, shedding light on how this citizenship was experienced by militiamen in the province because, to them, fell the privilege of being part of the militia. We will review the daily actions of the missionaries of the order and attempts to find some guards to escape the ordinary service of the Guard - which, contrary to what had just tried the Act creating the National Guard from 1831: the "patriotism" of his militia. And when it comes to positions of command in the militia, will discuss the importance of this position gave the chosen, and over the years has become highly political.
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ELAINNE CRISTINA JORGE DIAS
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RETRATO FALADO: O PERFIL DOS ESCRAVOS NOS ANÚNCIOS DE JORNAIS
DA PARAÍBA (1850-1888)
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Date: Mar 25, 2013
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Time: 14:00
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This work intends to analyze the advertisements for slaves contained in Brazilian periodicals that circulated in the last decades of slavery. Through the ads will be possible to understand aspects of the social condition in which lived the captives and its forms of struggle and resistance. Initially, he has been trying to discuss the role of the press in the marketing of the slaves, as well as the economic, social and political changes that occurred in Paraiba during the period in question. This is because a large number of commercial transactions involving slaves was initiated through advertisements or in the newspaper where typography was printed. Then we tried to analyze the condition of captivity in which lived the captives, such as: housing, clothing, food, hygienic conditions and, since these factors were instrumental in the development of diseases and, consequently, the health problems. Finally, it was intended to be understood, in particular, the escape of slaves, ads to draw a profile of the captives who were fleeing and presents them not as victims or rebels, but as historical subjects who thought and acted by means of negotiations, struggles, conflicts and solidarity networks to survive before the complex world that was the captivity.
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JANICE CORREA DA SILVA
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Patrimônios Materiais; Sertão; Paraíba Colonial; Cultura Histórica; Cultura
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Date: Feb 28, 2013
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Time: 15:00
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The main objective of this work is to undertake a historical research on material patrimonies in the sertão of Rio Piranhas, during the second half of the eighteenth century. Concerning the theoretical aspects the research was supported by the New Political History, and in this field, by the discussion of Political Culture concept. This work was also guided by other theoretical discussions, as it relates to patrimonialism, material culture and the Historical Culture. Thus, we intend to discuss the importance of judicial and notarial documents of Pombal municipality, in the sertão of Paraíba state, within the Political Culture of the Old Regime. We aim to understand how social actors sought to appropriate of the space (during the conquering process) and, therefore, the resources provided by nature, constituting their properties. An analysis of social relations in the sertão of Rio Piranhas, perceived as generating mechanisms that favored the accumulation of material goods and the consequent social rising became visible. The connections with other spaces, establishing friendly and conflict relations, constituting assets and wealth and managing them, is an appreciated aspect in this work. In order to unravel these problems, we used documental sources such as inventories and wills deposited in the Fórum Promotor Francisco Nelson da Nóbrega, in Pombal municipality, sertão of Paraiba. We also used powers of attorney found in the Cartório de 1º Ofício de Notas Coronel João Queiroga, in Pombal municipality. Requirements transcribed by João de Lyra Tavares and a few documental records from the Arquivo Histórico Ultramarino were used in our research as well.
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